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Warhol (1928-1987), also known as the “Pope of Pop Art”, is widely regarded as the preeminent American painter of the modern era and even as one of the two defining figures of 20th-century Western art, alongside Pablo Picasso.",[],{"type":22,"text":153,"spans":154,"direction":25},"Current record-holder of the second most expensive artwork ever sold at auction, with his Shot Sage Blue Marilyn (1964) sold for $195 million in 2022, Warhol’s predominance on the art market is undeniable.",[155],{"start":156,"end":157,"type":158},90,113,"em",{"type":22,"text":160,"spans":161,"direction":25},"His other instantly recognizable portrait is his interpretation of Mao’s picture from the “Little Red Book”, a series that totalized $331 million in revenue (in inflation-adjusted prices) at auction between 2004 and 2023.",[],{"type":22,"text":163,"spans":164,"direction":25},"ArtExplored’s latest Focus Report delves into the market for these specific works that have impressive sell-through rate 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pop icon who redefined art and market value","Warhol’s iconic portraits: from Marilyn Monroe to Mao Zedong",{"id":233,"type":234,"tags":235,"lang":17,"slug":236,"first_publication_date":237,"last_publication_date":238,"uid":236,"data":239,"link_type":66,"key":278,"isBroken":28},"ZBBz5xAAAKdKzSXy","author",[],"lea-nedwed","2023-03-14T13:17:30+0000","2024-07-10T17:09:39+0000",{"description":240,"short_description":255,"job":259,"thumbnail":260,"cover":268,"uid":236,"title":264,"og_image":271,"meta_description":274,"meta_title":264},[241,244,247,250,252],{"type":22,"text":242,"spans":243,"direction":25},"Léa is a managing editor at ArtExplored, where she produces in-depth art market reports and educational content. ",[],{"type":22,"text":245,"spans":246,"direction":25}," ",[],{"type":22,"text":248,"spans":249,"direction":25},"Her prior experience includes working with an art advisory service in London and Hong Kong, focusing on Post-War and Contemporary art. There, she gained extensive knowledge of the global art market. She managed daily operations and ensured the smooth running of high-profile exhibitions held annually alongside significant fairs in London, Hong Kong, and Seoul. Léa also contributed to a Paris-based non-profit that fundraised for cultural institutions by working closely with globally renowned art collectors. ",[],{"type":22,"text":245,"spans":251,"direction":25},[],{"type":22,"text":253,"spans":254,"direction":25},"She holds degrees in Law from the Sorbonne, Art Appraisal and Trade from IESA, and an MBA in the Business of Art from ICART.",[],[256],{"type":22,"text":257,"spans":258,"direction":25},"Lea is a managing editor and content producer at ArtExplored. ",[],"Managing Editor",{"dimensions":261,"alt":264,"copyright":7,"url":265,"id":266,"edit":267},{"width":262,"height":263},533,800,"Léa Nedwed","https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002F6d191cd1-efb6-4857-ae83-8d44a38fb195_LC%E2%95%A0%C2%BAa+NEDWED+%28Art+Cataloguer%29+%28BW%29.png?auto=compress,format","ZHYDyhAAACYAMRXl",{"x":36,"y":36,"zoom":37,"background":38},{"dimensions":269,"alt":264,"copyright":7,"url":265,"id":266,"edit":270},{"width":262,"height":263},{"x":36,"y":36,"zoom":37,"background":38},{"dimensions":272,"alt":7,"copyright":7,"url":265,"id":266,"edit":273},{"width":262,"height":263},{"x":36,"y":36,"zoom":37,"background":38},[275],{"type":22,"text":276,"spans":277},"Léa Nedwed is a senior writer at ArtExplored",[],"6fd091ad-1724-478e-aae1-6caaf42a8fdd",{"dimensions":280,"alt":7,"copyright":7,"url":281,"id":282,"edit":283},{"width":129,"height":130},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002FZ35L3ZbqstJ99KWh_Yourparagraphtext.png?auto=format,compress","Z35L3ZbqstJ99KWh",{"x":36,"y":36,"zoom":37,"background":38},{"dimensions":285,"alt":7,"copyright":7,"url":286,"id":287,"edit":288},{"width":130,"height":129},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002FZ8mAmRsAHJWomLkl_COUV_WARHOL4.jpg?auto=format,compress","Z8mAmRsAHJWomLkl",{"x":36,"y":36,"zoom":37,"background":38},{"dimensions":290,"alt":7,"copyright":7,"url":286,"id":287,"edit":291},{"width":130,"height":129},{"x":36,"y":36,"zoom":37,"background":38},"2025-03-07",[294,336,354,381,395,409,424,440,458],{"variation":51,"version":52,"items":295,"primary":296,"id":335,"slice_type":177,"slice_label":7},[],{"title":297,"content":298},[],[299,302,305,311,314,317,320],{"type":22,"text":300,"spans":301,"direction":25},"A dominant force in the art market, Andy Warhol racks up records on the global stage. His most iconic paintings, now cultural touchstones, fetch sky-high prices at auction, making him one of the best-selling artists in history. Equally notable is Warhol’s impressive sales volume, which rivals Picasso’s – a testament to his extensive output across a broad range of mediums, and, by extension, price points.  ",[],{"type":22,"text":303,"spans":304,"direction":25}," Like all truly enduring artists, Warhol cultivated an instantly recognisable style. But more than that, his most iconic works have become so deeply ingrained in our visual culture that his distinctive aesthetic is readily identifiable to virtually anyone who comes across it today. ",[],{"type":22,"text":306,"spans":307,"direction":25}," Known as the “Pope of Pop Art”, Warhol is widely regarded as the preeminent American painter of the modern era and even as one of the two defining figures of 20th-century Western art, alongside, once more, Pablo Picasso. Shaped by the rise of consumerism and postwar industrial expansion, Warhol’s best-known works elevated the banal imagery of popular culture to the status of high art, overturning well-established conventions in the process.  ",[308],{"start":309,"end":310,"type":158},221,222,{"type":22,"text":312,"spans":313,"direction":25}," In perfect harmony with this shifting social and economic landscape, Warhol employed a mechanised approach inspired by mass production to create his works. Through various printing techniques, Warhol was not only able to replicate his motifs but also distance himself from the act of creation, imbuing his work with a deliberate sense of detachment. This way, he established a new standard for the role of the artist—one that continues to develop and influence the art world today, from Damien Hirst to Jeff Koons’ factory-like production. ",[],{"type":22,"text":315,"spans":316,"direction":25},"Warhol explored silkscreen printing techniques, frequently layering printed motifs over hand-painted backgrounds. He experimented with variations in colour and repetition, creating entire series of unique artworks around a single subject.  ",[],{"type":22,"text":318,"spans":319,"direction":25},"Warhol’s fascination soon gravitated toward movie stars—true pop icons—with Marilyn Monroe at its zenith. He also turned his focus to public figures like Jackie Kennedy and even Mao Zedong, exploring the media-driven narratives that surrounded them. In hindsight, Warhol’s work anticipated the media’s expanding influence on culture—shaping public visibility, fueling consumerism, and transforming celebrity into a product for mass consumption. ",[],{"type":22,"text":321,"spans":322,"direction":25},"For more than three decades, Warhol’s auction records have been driven by his most iconic portraits. In 1989, a 1964 Marilyn against a red background commanded $4 million, setting a new high for the artist at auction. Since then, Warhol’s top record has been eclipsed six times, with standout works featuring Marilyn Monroe, Mao Zedong, and even the darkly resonant Car Crash series. The current record-holder—a 1964 Marilyn on a blue background—achieved an astonishing $195 million in 2022, securing its place as the second most expensive artwork ever sold at auction, behind Leonardo da Vinci’s Salvator Mundi. ",[323,326,329,332],{"start":324,"end":325,"type":158},117,124,{"start":327,"end":328,"type":158},366,375,{"start":330,"end":331,"type":158},417,424,{"start":333,"end":334,"type":158},597,611,"text$5d4db630-15e5-4f2a-ad40-e2d4a0e2bdb1",{"variation":337,"version":52,"items":338,"primary":347,"id":352,"slice_type":353,"slice_label":7},"centered-slice",[339],{"image":340,"title":7,"subtitle":7},{"dimensions":341,"alt":7,"copyright":7,"url":344,"id":345,"edit":346},{"width":342,"height":343},1157,771,"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002FZ8sQUBsAHJWomPGS_3_2-1.jpg?auto=format,compress","Z8sQUBsAHJWomPGS",{"x":36,"y":36,"zoom":37,"background":38},{"image1":348,"label":7,"copyright":351},{"dimensions":349,"alt":7,"copyright":7,"url":344,"id":345,"edit":350},{"width":342,"height":343},{"x":36,"y":36,"zoom":37,"background":38},[],"image$2403c4d2-29b0-4191-a331-06df34822581","image",{"variation":51,"version":52,"items":355,"primary":356,"id":380,"slice_type":177,"slice_label":7},[],{"title":357,"content":358},[],[359,362],{"type":22,"text":360,"spans":361,"direction":25},"The journey to Warhol’s nine-figure auction record has been marked by a steady stream of high-priced sales in the $10 million-plus range. Since 1998, an impressive 60 lots have crossed the $17 million threshold, with 18 fetching over $40 million. This trajectory reflects the robust confidence in Warhol’s market over the years. ",[],{"type":22,"text":363,"spans":364,"direction":25},"Returning to Warhol’s portrayals of Marilyn and Mao, the highest auction sales were recorded for his historic 1960s depictions of the Hollywood icon and the inaugural \"early Mao\" portraits from 1972. According to ArtExplored’s data, these iconic Marilyns amassed $443.6 million ($532.1 million adjusted for inflation) from 12 lots sold at auction between 2004 and 2023. By contrast, the early Maos generated a total of $97.3 million ($128.7 million adjusted for inflation) from only 3 sales. Their average sales prices are virtually neck-and-neck at $44.3 million for iconic Marilyns versus $42.9 million for early Maos (inflation-adjusted). ",[365,368,371,374,377],{"start":366,"end":367,"type":158},174,177,{"start":369,"end":370,"type":158},246,255,{"start":372,"end":373,"type":158},393,398,{"start":375,"end":376,"type":158},575,584,{"start":378,"end":379,"type":158},615,619,"text$267b9a24-f04e-4d3e-a723-16059b1b0b53",{"variation":337,"version":52,"items":382,"primary":389,"id":394,"slice_type":353,"slice_label":7},[383],{"image":384,"title":7,"subtitle":7},{"dimensions":385,"alt":7,"copyright":7,"url":386,"id":387,"edit":388},{"width":342,"height":343},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002FZ8sQURsAHJWomPGT_3_2-2.jpg?auto=format,compress","Z8sQURsAHJWomPGT",{"x":36,"y":36,"zoom":37,"background":38},{"image1":390,"label":7,"copyright":393},{"dimensions":391,"alt":7,"copyright":7,"url":386,"id":387,"edit":392},{"width":342,"height":343},{"x":36,"y":36,"zoom":37,"background":38},[],"image$39ce1e84-2bbd-45e4-acfd-d572d0591631",{"variation":337,"version":52,"items":396,"primary":403,"id":408,"slice_type":353,"slice_label":7},[397],{"image":398,"title":7,"subtitle":7},{"dimensions":399,"alt":7,"copyright":7,"url":400,"id":401,"edit":402},{"width":342,"height":343},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002FZ8sQTxsAHJWomPGR_3_2.jpg?auto=format,compress","Z8sQTxsAHJWomPGR",{"x":36,"y":36,"zoom":37,"background":38},{"image1":404,"label":7,"copyright":407},{"dimensions":405,"alt":7,"copyright":7,"url":400,"id":401,"edit":406},{"width":342,"height":343},{"x":36,"y":36,"zoom":37,"background":38},[],"image$b9e2dd4d-b61f-4d16-a6d8-c15d7944fbe6",{"variation":51,"version":52,"items":410,"primary":411,"id":423,"slice_type":177,"slice_label":7},[],{"title":412,"content":413},[],[414],{"type":22,"text":415,"spans":416,"direction":25},"A closer look at these sales reveals that five Marilyns were resold during this period, averaging CAGR of 14.2% (11.8% adjusted), while the sole early Mao resale outperformed with a striking 21.7% CAGR (19.2% adjusted).",[417,420],{"start":418,"end":419,"type":158},47,55,{"start":421,"end":422,"type":158},151,154,"text$5d2a8f3b-6a5f-4f4d-8b38-a05de8d582ac",{"variation":337,"version":52,"items":425,"primary":434,"id":439,"slice_type":353,"slice_label":7},[426],{"image":427,"title":7,"subtitle":7},{"dimensions":428,"alt":7,"copyright":7,"url":431,"id":432,"edit":433},{"width":429,"height":430},2268,1359,"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002FZ8seFxsAHJWomPOa_GRAPH.jpg?auto=format,compress","Z8seFxsAHJWomPOa",{"x":36,"y":36,"zoom":37,"background":38},{"image1":435,"label":7,"copyright":438},{"dimensions":436,"alt":7,"copyright":7,"url":431,"id":432,"edit":437},{"width":429,"height":430},{"x":36,"y":36,"zoom":37,"background":38},[],"image$0eb724a7-a208-4d35-be87-67a241ea8d4c",{"variation":51,"version":52,"items":441,"primary":442,"id":457,"slice_type":177,"slice_label":7},[],{"title":443,"content":444},[],[445,454],{"type":22,"text":446,"spans":447,"direction":25}," Though Marilyn remains the definitive icon of Warhol’s portraits—her image appearing in his work from 1962, shortly after her tragic death, until the end of his life—the Mao series marks a critical turning point. It signals Warhol’s renewed commitment to painting, emerging after a four-year hiatus following a near-fatal shooting. The early Maos, created in 1972, were his first noncommissioned paintings since the incident, featuring a curious choice of subject that appears to oscillate between celebration and critique. Bridging two distinct periods in Warhol’s career, they formally recall his early portraits of film stars while introducing a new painterly technique that anticipates the evolution of his later work. Unconventionally, Warhol produced the early Maos entirely on his own, using an exceptionally large screen to print the two-meter-tall figures, without his assistants’ usual help. In another departure from his typical methods, Warhol applied the paint afterward, employing gestural brushstrokes that starkly contrasted the mechanical precision of his earlier Pop aesthetic.",[448,451],{"start":449,"end":450,"type":158},343,347,{"start":452,"end":453,"type":158},768,772,{"type":22,"text":455,"spans":456,"direction":25}," Throughout his prolific career, Warhol constantly reinvented himself, yet he remained an enigmatic figure—an aspect he skillfully exploited. This mystique, along with his unique persona, undoubtedly played a significant role in the market success of his unconventional work.",[],"text$a79896e1-f699-4d2a-b739-e422e52fd36f",{"variation":51,"version":52,"items":459,"primary":460,"id":466,"slice_type":177,"slice_label":7},[],{"title":461,"content":462},[],[463],{"type":22,"text":464,"spans":465,"direction":25},"The information in this article has been analysed by ArtExplored and is based on proprietary data.",[],"text$a7c74f6e-691e-48fc-87ac-89417d622840",{"dimensions":468,"alt":7,"copyright":7,"url":281,"id":282,"edit":469},{"width":129,"height":130},{"x":36,"y":36,"zoom":37,"background":38},[471],{"variation":51,"version":52,"items":472,"primary":489,"id":491,"slice_type":103,"slice_label":7},[473,477,481,485],{"post":474},{"id":56,"type":57,"tags":475,"lang":17,"slug":62,"first_publication_date":63,"last_publication_date":64,"uid":65,"link_type":66,"key":476,"isBroken":28},[11,59,60,61],"c65e9130-6f1d-4384-8423-5419e16d316b",{"post":478},{"id":79,"type":57,"tags":479,"lang":17,"slug":82,"first_publication_date":83,"last_publication_date":84,"uid":85,"link_type":66,"key":480,"isBroken":28},[81],"85ec0a00-a7a1-4cb6-a70d-5e781ac29db5",{"post":482},{"id":192,"type":57,"tags":483,"lang":17,"slug":195,"first_publication_date":196,"last_publication_date":197,"uid":198,"link_type":66,"key":484,"isBroken":28},[60,194],"23cc6c62-d80b-438f-ada0-59fc17fb1b7e",{"post":486},{"id":206,"type":57,"tags":487,"lang":17,"slug":208,"first_publication_date":209,"last_publication_date":210,"uid":211,"link_type":66,"key":488,"isBroken":28},[60],"3489e1ea-80d2-4b3b-b0ed-3d7f947f1e5e",{"slides_per_view":7,"max_slides_count":7,"tag":490,"type":101,"title":7,"paralax":28},{"link_type":66},"carousel$852c5a3c-c421-41ce-a56f-8e29bc5ca317",{"id":79,"uid":85,"url":7,"type":57,"href":493,"tags":494,"first_publication_date":83,"last_publication_date":84,"slugs":495,"linked_documents":498,"lang":17,"alternate_languages":499,"data":500},"https:\u002F\u002Fartexplorer-prod.cdn.prismic.io\u002Fapi\u002Fv2\u002Fdocuments\u002Fsearch?ref=aCb60BIAACEA00zN&q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22ZAhnGRAAACsAvuo9%22%29+%5D%5D",[81],[82,496,497],"the-show-which-received-rave-reviews-in-new-york-and-will-move-to-la-this-spring-heightens-the-enigmatic-artists-already-mythical-status.","king-pleasure",[],[],{"title":501,"subtitle":7,"author":502,"copyright_cover":548,"cover_desktop":549,"cover_mobile":555,"thumbnail":560,"published_at":7,"slices":563,"meta_title":795,"meta_description":796,"og_image":797,"slices2":802},"‘King Pleasure’: A beautifully crafted intro to Jean-Michel Basquiat",{"id":503,"type":234,"tags":504,"lang":17,"slug":505,"first_publication_date":506,"last_publication_date":507,"uid":508,"data":509,"link_type":66,"key":547,"isBroken":28},"ZBBfzBAAACgAzQAo",[],"william-corwin","2023-03-14T11:51:45+0000","2023-07-10T00:55:46+0000","will-corwin",{"description":510,"short_description":523,"job":527,"thumbnail":528,"cover":537,"uid":508,"title":532,"og_image":540,"meta_description":543,"meta_title":532},[511,514,517,520],{"type":22,"text":512,"spans":513},"William Corwin covers art news and features in North America. He is a sculptor, journalist, and curator from New York. He has exhibited at The Clocktower, LaMama and Geary galleries in New York, as well as galleries in London, Hamburg, Beijing and Taipei. ",[],{"type":22,"text":515,"spans":516},"He has written regularly for The Brooklyn Rail, Artpapers, Bomb, Artcritical, Raintaxi and Canvas and formerly for Frieze. He curated and wrote the catalog for Postwar Women at The Art Students League in New York, an exhibition of the school’s alumnae active between 1945-65, and 9th Street Club, an exhibition of Perle Fine, Helen Frankenthaler, Mercedes Matter, Grace Hartigan, Lee Krasner and Elaine Dekooning at Gazelli Art House in London. ",[],{"type":22,"text":518,"spans":519},"His most recent curatorial projects were the first solo exhibition of French Mid-century painter Marguerite Louppe (1901-1989) at Rosenberg & Co gallery in New York (Corwin has been working with the estates of Marguerite Louppe, and her husband the painter Maurice Brianchon for the past decade), and The Agreement:  Chromatic presences, and exhibition of colored sculpture featuring Ugo Rondinone, Lynn Umlauf, Remy Jungerman, Kianja Strobert and Tom Doyle, among others. ",[],{"type":22,"text":521,"spans":522},"He is the editor of Formal Concerns: Collected Essays of Saul Ostrow, to be published in 2023 by Elective Affinity Press, and participated in the exhibition Anchor\u002FRoots at the Newhouse Center for Contemporary Art at Snug Harbor Cultural Center in 2021. He is the author of the book &Model (2020), a history of a Grass-roots artist-run gallery in Northern England, published by Leeds Metropolitan University.",[],[524],{"type":22,"text":525,"spans":526},"William Corwin covers North America for ArtExplored",[],"Art Writer (North America)",{"dimensions":529,"alt":532,"copyright":532,"url":533,"id":534,"edit":535},{"width":530,"height":531},2660,3012,"William Corwin","https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002F4bbbe5d4-21a0-489e-8fe3-96d3a471c015_William+Corwin+B%26W+Art+Explored.jpg?auto=compress,format","ZIg3ghAAACAApnDS",{"x":36,"y":36,"zoom":37,"background":536},"#fff",{"dimensions":538,"alt":532,"copyright":7,"url":533,"id":534,"edit":539},{"width":530,"height":531},{"x":36,"y":36,"zoom":37,"background":536},{"dimensions":541,"alt":532,"copyright":532,"url":533,"id":534,"edit":542},{"width":530,"height":531},{"x":36,"y":36,"zoom":37,"background":536},[544],{"type":22,"text":545,"spans":546},"Will Corwin covers North America for ArtExplored",[],"8fd6d051-6ce2-4420-8971-bf718382f036","Installation view of Jean-Michel Basquiat: King Pleasure, Photo by Ivane Katamashvili, courtesy of Jean-Michel Basquiat: King Pleasure ©",{"dimensions":550,"alt":551,"copyright":551,"url":552,"id":553,"edit":554},{"width":129,"height":130},"Installation view of Jean-Michel Basquiat: King Pleasure, Photo by Ivane Katamashvili, courtesy of Jean-Michel Basquiat: King Pleasure©","https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002F0a130d4b-c6f5-4312-b0bb-ee4608556c6b_Cover+Landscape+-+1.jpg?auto=compress,format","ZB2mgRAAACMAzYBQ",{"x":36,"y":36,"zoom":37,"background":536},{"dimensions":556,"alt":551,"copyright":551,"url":557,"id":558,"edit":559},{"width":130,"height":129},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002F8107c828-fd5d-4ee7-9e72-d1064823d7af_9_16+%285%29.jpg?auto=compress,format","ZEFIVBEAACIArKJ2",{"x":36,"y":36,"zoom":37,"background":536},{"dimensions":561,"alt":551,"copyright":551,"url":557,"id":558,"edit":562},{"width":130,"height":129},{"x":36,"y":36,"zoom":37,"background":536},[564,624,661,682,694,707],{"variation":51,"version":52,"items":565,"primary":567,"id":623,"slice_type":177,"slice_label":7},[566],{},{"title":568,"content":573},[569],{"type":570,"text":571,"spans":572},"heading1","",[],[574],{"type":22,"text":575,"spans":576},"Artists and art always need a story: Pliny the Elder describes how Kora of Sicyon traced the shadow of her lover on a wall – inventing drawing; Vasari describes the discovery of the young Giotto scratching figures in the dirt on a dusty road outside of Sienna by the mural painted Cimabue. None of these stories are true, but they give the viewer something with which to relate and a point of access to their creative genius. An exhibition of the work of Jean-Michel Basquiat: King Pleasure, formerly in New York’s Starrett-Lehigh Building in 2022 and opening in Los Angeles in March 2023, offers a glossy narrative of the life of the artist.\n\nThirty-five years after the enigmatic Basquiat’s death, King Pleasure is a beautifully crafted introduction to a contemporary genius.  \n\nWhile the show boasts rooms of gorgeous paintings, it isn’t geared to those who are well-acquainted with the artist’s oeuvre – viewers who know Basquiat well don’t need to see a recreation of his family home or his studio – but it is an exhibition for people to bring their children to, in order to introduce them to the artists, and particularly for African American parents who want to present to their children someone who looks like them who is an influential figure in contemporary art. Are there more worthy figures who could get the mythologising treatment? Sure. Elizabeth Catlett, Amiri Baraka, Mavis Pusey, Jacob Lawrence, Jack Whitten: the list could go on forever. But many of these figures had deep leftwards political leanings or were even card-carrying communists, so they are actually quite disconcerting both to the institutions that fund exhibitions like this, and often to their audience.",[577,586,594,601,609,617],{"start":578,"end":579,"type":171,"data":580},37,52,{"id":581,"type":582,"tags":583,"lang":17,"slug":584,"first_publication_date":585,"last_publication_date":585,"link_type":66,"isBroken":28},"ZKx_vBEAACMAc2YB","definition",[],"pliny-the-elder","2023-07-10T22:01:36+0000",{"start":587,"end":588,"type":171,"data":589},67,81,{"id":590,"type":582,"tags":591,"lang":17,"slug":592,"first_publication_date":593,"last_publication_date":593,"link_type":66,"isBroken":28},"ZKx_6xEAACMAc2be",[],"kora-of-sicyon","2023-07-10T22:02:24+0000",{"start":595,"end":421,"type":171,"data":596},144,{"id":597,"type":582,"tags":598,"lang":17,"slug":599,"first_publication_date":600,"last_publication_date":600,"link_type":66,"isBroken":28},"ZKyAFxEAACIAc2em",[],"giorgio-vasari","2023-07-10T22:03:23+0000",{"start":602,"end":603,"type":171,"data":604},188,195,{"id":605,"type":582,"tags":606,"lang":17,"slug":607,"first_publication_date":608,"last_publication_date":608,"link_type":66,"isBroken":28},"ZKyASREAACIAc2iM",[],"giotto","2023-07-10T22:03:57+0000",{"start":610,"end":611,"type":171,"data":612},281,288,{"id":613,"type":582,"tags":614,"lang":17,"slug":615,"first_publication_date":616,"last_publication_date":616,"link_type":66,"isBroken":28},"ZKyAcBEAACMAc2lB",[],"cimabue","2023-07-10T22:04:35+0000",{"start":618,"end":619,"type":171,"data":620},1132,1177,{"link_type":173,"url":621,"target":622},"https:\u002F\u002Fhosting.fluidbook.com\u002FDEMO-Artist-Report-Francis-Bacon-Artexplored","_blank","text$0e987c0e-e037-4568-82dd-4dedd019d2b5",{"variation":625,"version":52,"items":626,"primary":643,"id":660,"slice_type":353,"slice_label":7},"double-slice",[627,636],{"image":628,"title":632,"subtitle":7},{"dimensions":629,"alt":632,"copyright":7,"url":633,"id":634,"edit":635},{"width":630,"height":631},2880,1920,"Installation view of Jean-Michel Basquiat: King Pleasure, Photo by Ivane Katamashvili, courtesy of Jean- Michel Basquiat: King Pleasure ©","https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002Fe7d286c4-68e5-43ea-b1c0-ed29955f866b_King+pleasure+2.jpg?auto=compress,format","ZKbTehEAACQAWkU6",{"x":36,"y":36,"zoom":37,"background":536},{"image":637,"title":632,"subtitle":7},{"dimensions":638,"alt":632,"copyright":7,"url":640,"id":641,"edit":642},{"width":639,"height":631},3743,"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002F1e0e3ffa-6e96-41de-b9fb-5e8a7c167f49_King+pleasure+1.jpg?auto=compress,format","ZKbTehEAACQAWkU9",{"x":36,"y":36,"zoom":37,"background":536},{"image1":644,"image2":651,"label":7,"copyright":657},{"dimensions":645,"alt":632,"copyright":647,"url":648,"id":649,"edit":650},{"width":129,"height":646},2561,"Installation view of Jean-Michel Basquiat: King Pleasure, Photo by Ivane Katamashvili, courtesy of Jean- Michel Basquiat: King Pleasure©","https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002F7e05cce3-ae98-4f30-ab4f-3c4a4f646314_3_2+-+2.jpg?auto=compress,format","ZB2nnhAAACQAzYWq",{"x":36,"y":36,"zoom":37,"background":536},{"dimensions":652,"alt":632,"copyright":647,"url":654,"id":655,"edit":656},{"width":630,"height":653},1921,"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002Ff97b5208-1961-4d49-99ff-790d5c68eb4b_3_2+-+1.jpg?auto=compress,format","ZB2njBAAACQAzYVX",{"x":36,"y":36,"zoom":37,"background":536},[658],{"type":22,"text":632,"spans":659},[],"image$d1ae3164-5a59-4a01-8e4c-7ec40bc05294",{"variation":51,"version":52,"items":662,"primary":664,"id":681,"slice_type":177,"slice_label":7},[663],{},{"title":665,"content":666},[],[667],{"type":22,"text":668,"spans":669},"King Pleasure is designed by the architect David Adjaye, who also designed The National Museum of African American History and Culture in DC, the surfaces are sumptuous, rich and dark – an antidote to the “white box” condition of modern galleries and museums. At the start, a glistening wood tunnel with fluid corners and aquiline edges urges us through Basquiat’s early years, presenting childhood home movies and teenage ‘zines of the young artist. It feeds into a recreation of the painter’s family home – a kitchen\u002Fdining room with a wall-installed rotary phone and allspice spice rack. Across from the kitchen, there’s a comfortable sitting room with a biography of Muhammad Ali prominently displayed on the bookcase. There are no documentary photos verifying that this isn’t anything more than a fantasy contrived to make us think that Basquiat came from a “normal” middle-class home. What we are aware of is that the painter frequently talked about physical abuse, his parents separated when he was seven, he left home at 15, and was homeless on and off. More importantly, there is almost no mention made of his life as graffiti writer Samo, his band Gray that performed at the Mudd Club, nor his friendships early on with Debbie Harry and Glenn O’Brian. Vaunted curator and founder of P.S.1, Alanna Heiss said of the artist at age 20, “he was the new Rauschenberg.” \n\nAdjaye lines the walls of the main gallery with wooden slats in imitation of two distinctive untitled paintings on wood from 1984; one featuring a small black head with red and white highlights, the other painting a donkey’s head in black white and red juxtaposed with a dial, either a clockface or rotary telephone. Throughout the show, we become aware that portrait heads and animals, inscribed with text, are the artist’s favourite subjects. The climax of the main gallery is Dry Cell (1988), a life-size monochromatic painting in black of a baboon on a stark yellow background. In a poetic curatorial gesture, the exhibition ends with a matching solid blue painting Kalik, also painted in the year of the artist’s death, 1988, but this time the mostly black brushstrokes describe an enigmatic chemical diagram, with the words “Death of Marat,” a reference to the iconic work of 1793 by the great painter of the French Revolution Jacques Louis-David.",[670,673],{"start":671,"end":672,"type":158},1855,1864,{"start":674,"end":675,"type":171,"data":676},2308,2328,{"id":677,"type":582,"tags":678,"lang":17,"slug":679,"first_publication_date":680,"last_publication_date":680,"link_type":66,"isBroken":28},"ZKyAmhEAACEAc2oE",[],"jacques-louis-david","2023-07-10T22:05:18+0000","text$2295f2a3-3d3e-412b-b924-9bcb5ae09e58",{"variation":337,"version":52,"items":683,"primary":684,"id":693,"slice_type":353,"slice_label":7},[],{"image1":685,"label":7,"copyright":690},{"dimensions":686,"alt":647,"copyright":647,"url":687,"id":688,"edit":689},{"width":129,"height":646},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002F087eb45d-fb26-41f9-9cdf-01a73c06fc82_3_2+-+3.jpg?auto=compress,format","ZB2nuxAAACEAzYY6",{"x":36,"y":36,"zoom":37,"background":536},[691],{"type":22,"text":632,"spans":692},[],"image$0b2c25f8-2e2c-46c5-99d5-4c2e3757fec9",{"variation":51,"version":52,"items":695,"primary":697,"id":706,"slice_type":177,"slice_label":7},[696],{},{"title":698,"content":699},[],[700],{"type":22,"text":701,"spans":702},"King Pleasure avoids the troubled angels of Basquiat’s nature, and downplays a chronological assessment of his work, instead centring the exhibition on a recreation of Basquiat’s studio. With a soundtrack of Curtis Blow and Debbie Harry blaring in the background, a paint-spattered concrete floor and a carefully reconstructed vacuum-tube TV playing The Breakfast Club, Basquiat’s studio is a fairy-tale rendering of an artist’s studio in 1980’s New York. It is enrapturing with its half-finished bottles of red wine, crumpled cigarette packs, and rhinestone jackets hung from painting racks. According to the wall label, 50 original works of art have been strewn on the floor, hung and leaned on the walls, and laid on tables in order to give a sense of how the artist lived. This is an immense waste – we should be allowed to look at these works carefully. The art is secondary to the idea of the artist. As you walk out of the flickering twilight of the studio, a framed black and white crown painting is centred on the wall, again focusing on the brand of Basquiat, not so much the artist’s practice, and they are two very different things. The exhibition ends with a recreation of the artist’s VIP room at the Palladium, a dance club that once inhabited an old opera house on 14th Street in Manhattan. The installation here is much better, as the two gargantuan murals that Basquiat created for the club cannot be obscured by the props meant to immerse the viewer. King Pleasure does a fine job of exciting newcomers about Jean-Michel Basquiat, and despite all the questionable mythologising, the very deep and profound talent of the artist emerges unscathed.\n\nJean-Michel Basquiat: King Pleasure\n31 March - 31 July 2023. The Grand LA, Los Angeles. 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of an Ass, 1982 © The Estate of Jean-Michel Basquiat Licensed by Artestar, New York","https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002F686bc322-62d2-43b7-be39-6885335c694f_Original+-+4.jpg?auto=compress,format","ZB2psBAAACMAzY_W",{"x":36,"y":36,"zoom":37,"background":536},"Jawbone of an Ass, 1982",{"image":769,"title":773,"subtitle":731},{"dimensions":770,"alt":773,"copyright":731,"url":774,"id":775,"edit":776},{"width":771,"height":772},5294,5451,"Untitled (100 Yen), 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Pleasure’: A beautifully crafted intro to contemporary genius Jean-Michel Basquiat","The show, which received rave reviews in New York and will move to LA in Spring 2023, heightens the enigmatic artist’s already mythical status.",{"dimensions":798,"alt":551,"copyright":7,"url":799,"id":800,"edit":801},{"width":107,"height":108},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002F2f9e0353-ef5b-4646-9163-fbf82094712b_Image+Opengraph+Basquiat+King+Pleasure.jpg?auto=compress,format","ZK_8txIAACEAahhl",{"x":36,"y":36,"zoom":37,"background":536},[803,819,826],{"variation":51,"version":52,"items":804,"primary":813,"id":818,"slice_type":103,"slice_label":7},[805],{"post":806},{"id":807,"type":808,"tags":809,"lang":7,"slug":810,"first_publication_date":7,"last_publication_date":7,"link_type":66,"key":811,"isBroken":812},"ZAh5NhAAACsAv0Ej","broken_type",[],"-","aadb8673-95a6-4442-b2b4-46615295e5bf",true,{"slides_per_view":814,"max_slides_count":815,"tag":816,"type":57,"title":817,"paralax":7},4,3,{"link_type":66},"Read 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artists","carousel$cac3abaa-4616-4b97-b34c-38d163ac9b4a",{"id":89,"uid":97,"url":7,"type":57,"href":836,"tags":837,"first_publication_date":95,"last_publication_date":96,"slugs":838,"linked_documents":839,"lang":17,"alternate_languages":840,"data":841},"https:\u002F\u002Fartexplorer-prod.cdn.prismic.io\u002Fapi\u002Fv2\u002Fdocuments\u002Fsearch?ref=aCb60BIAACEA00zN&q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22ZurRuhAAACEAByVL%22%29+%5D%5D",[91,92,93],[94],[],[],{"title":842,"subtitle":843,"author":844,"copyright_cover":7,"cover_desktop":874,"cover_mobile":882,"thumbnail":888,"published_at":891,"slices":892,"meta_title":1030,"meta_description":1031,"og_image":1032,"slices2":1037},"Are Rothko Rooms facing extinction?","Rare ensembles by the American painter are especially prone to damage",{"id":233,"type":234,"tags":845,"lang":17,"slug":236,"first_publication_date":237,"last_publication_date":238,"uid":236,"data":846,"link_type":66,"key":873,"isBroken":28},[],{"description":847,"short_description":858,"job":259,"thumbnail":861,"cover":864,"uid":236,"title":264,"og_image":867,"meta_description":870,"meta_title":264},[848,850,852,854,856],{"type":22,"text":242,"spans":849,"direction":25},[],{"type":22,"text":245,"spans":851,"direction":25},[],{"type":22,"text":248,"spans":853,"direction":25},[],{"type":22,"text":245,"spans":855,"direction":25},[],{"type":22,"text":253,"spans":857,"direction":25},[],[859],{"type":22,"text":257,"spans":860,"direction":25},[],{"dimensions":862,"alt":264,"copyright":7,"url":265,"id":266,"edit":863},{"width":262,"height":263},{"x":36,"y":36,"zoom":37,"background":38},{"dimensions":865,"alt":264,"copyright":7,"url":265,"id":266,"edit":866},{"width":262,"height":263},{"x":36,"y":36,"zoom":37,"background":38},{"dimensions":868,"alt":7,"copyright":7,"url":265,"id":266,"edit":869},{"width":262,"height":263},{"x":36,"y":36,"zoom":37,"background":38},[871],{"type":22,"text":276,"spans":872},[],"e6fd7089-dd4d-495a-a719-7f61fbbf9cef",{"dimensions":875,"alt":878,"copyright":7,"url":879,"id":880,"edit":881},{"width":876,"height":877},16000,9000,"The Rothko Chapel, Houston (Texas) (left) and the Rothko Room at Japan’s Kawamura Memorial DIC Museum of Art (right) © Sophie Whaley ","https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002FZurQu7VsGrYSvilj_Landscape_16.9_Web_Header_Rothko3.png?auto=format,compress","ZurQu7VsGrYSvilj",{"x":36,"y":36,"zoom":37,"background":38},{"dimensions":883,"alt":7,"copyright":7,"url":885,"id":886,"edit":887},{"width":884,"height":876},10667,"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002FZurii7VsGrYSvjb9_Thumbnail_Portrait_3.2_Rothko_V4.jpg?auto=format,compress","Zurii7VsGrYSvjb9",{"x":36,"y":36,"zoom":37,"background":38},{"dimensions":889,"alt":7,"copyright":7,"url":885,"id":886,"edit":890},{"width":884,"height":876},{"x":36,"y":36,"zoom":37,"background":38},"2024-10-05",[893,905,917,932,944,974,989,1007],{"variation":51,"version":52,"items":894,"primary":895,"id":904,"slice_type":177,"slice_label":7},[],{"title":896,"content":897},[],[898,901],{"type":22,"text":899,"spans":900,"direction":25},"In the mid-twentieth century, American painter Mark Rothko unveiled what would become his signature style: vertical stacks of rectangular shapes that seem to float mysteriously on a field of colour. The sublime, captured on canvas. With their velvety textures, diffused contours, and radiant inner light, Rothko’s paintings elude reproduction in photographs; they demand to be seen in person, up close. The artist originally intended for them to be displayed without frames or protective glass, encouraging viewers to stand as near as possible, to lose themselves in the work. This intimacy, however, comes at a cost, leaving the delicate surfaces especially prone to damage.",[],{"type":22,"text":902,"spans":903,"direction":25},"Compounding the issue, Rothko’s complex painting technique also defies conventional restoration methods. The artist was famously secretive about his process, layering multiple thin coats of paint that fused into one another, often employing a wide range of media. As a result, his work has been studied in greater detail by painting conservators, using increasingly sophisticated techniques over the years. Only through a deeper understanding of the artist’s methods can conservation efforts be both effective and successful.   ",[],"text$30b164fa-2695-45f9-bb94-fad49df69004",{"variation":51,"version":52,"items":906,"primary":907,"id":916,"slice_type":177,"slice_label":7},[],{"title":908,"content":912},[909],{"type":570,"text":910,"spans":911,"direction":25},"A natural disaster strikes the Rothko Chapel",[],[913],{"type":22,"text":914,"spans":915,"direction":25},"This summer, the Rothko Chapel in Houston, Texas, was critically impacted by a severe storm, which caused water to leak through the roof and damage three of the fourteen paintings housed within. Ironically, the skylight—designed to provide ideal lighting in keeping with Rothko’s vision—became the very entry point for the water that compromised the works it was intended to illuminate. ",[],"text$b918ede1-594c-4be7-a108-8053e6571783",{"variation":337,"version":52,"items":918,"primary":926,"id":931,"slice_type":353,"slice_label":7},[919],{"image":920,"title":925,"subtitle":7},{"dimensions":921,"alt":7,"copyright":7,"url":922,"id":923,"edit":924},{"width":876,"height":884},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002FZurQ7rVsGrYSvimS_Visuals_Landscape_3.2_Rothko_.jpg?auto=format,compress","ZurQ7rVsGrYSvimS",{"x":36,"y":36,"zoom":37,"background":38},"Interior of the Rothko Chapel, Houston (Texas) © Sophie Whaley",{"image1":927,"label":925,"copyright":930},{"dimensions":928,"alt":7,"copyright":7,"url":922,"id":923,"edit":929},{"width":876,"height":884},{"x":36,"y":36,"zoom":37,"background":38},[],"image$c974a3ca-921e-4225-8516-3bd5d9b96291",{"variation":51,"version":52,"items":933,"primary":934,"id":943,"slice_type":177,"slice_label":7},[],{"title":935,"content":936},[],[937,940],{"type":22,"text":938,"spans":939,"direction":25},"One of only a few ‘Rothko Rooms’ in the world, the chapel is a non-denominational sanctuary, open to all religions; a quiet space for reflection and spiritual growth. Commissioned in the 1960s by art patrons John and Dominique de Menil, Rothko himself oversaw every detail of its design, from the tiled floor to the skylight, and, of course, the paintings inside. Completed in 1971, a year after Rothko's death, the chapel now draws over 100,000 visitors annually. ",[],{"type":22,"text":941,"spans":942,"direction":25},"In preparation for its 50th anniversary, the Rothko Chapel underwent a complete renovation starting in 2019, ensuring it was ready for the 2021 jubilee. The $35 million project, which included a new glass roof to better protect the artworks, also saw the redevelopment of the chapel’s campus with the addition of new buildings due for completion in 2026. Despite these extensive efforts—and what executive director David Leslie described as “several measures (...) to address climate change” as reported in the Washington Post— the chapel could not withstand the recent storm. After all, the region has long been vulnerable to natural disasters. ",[],"text$9620b58d-0a95-4cbc-b315-df3effc9dfa6",{"variation":51,"version":52,"items":945,"primary":946,"id":973,"slice_type":177,"slice_label":7},[],{"title":947,"content":951},[948],{"type":570,"text":949,"spans":950,"direction":25},"Water incident previously damaged Menil Rothko",[],[952,965],{"type":22,"text":953,"spans":954,"direction":25},"Before the Chapel's 50th anniversary, another Rothko painting from the Menil Collection was marred by water damage, leaving a drip mark across the two-meter-high canvas. The impact was intensified by Rothko’s choice not to use protective varnish, leaving the delicate paint layers exposed, coupled with his use of water-sensitive media to build his complex surfaces. Paintings Conservator Anne Schmid, then a Mellon Fellow in Painting Conservation at the Menil Collection, restored the artwork in 2020 after an extensive period of research, examination, and testing. In her observations for the American Institute of Conservation’s 50th Annual Meeting in 2022, she noted that each section of the painting—the fields of different colour and materiality—had responded differently to the damage, requiring a bespoke approach for each one. As a result, the painstaking process successfully returned the painting to a condition suitable for display.  ",[955,960],{"start":956,"end":957,"type":171,"data":958},46,87,{"link_type":173,"url":959,"target":175},"https:\u002F\u002Fwww.menil.org\u002Fcollection\u002Fobjects\u002F7811-untitled",{"start":961,"end":962,"type":171,"data":963},567,659,{"link_type":173,"url":964,"target":175},"https:\u002F\u002Fwww.culturalheritage.org\u002Fdocs\u002Fdefault-source\u002Fpublications\u002Fperiodicals\u002Fannual-meeting\u002F2022-program-and-abstract-book.pdf?sfvrsn=4f021720_16",{"type":22,"text":966,"spans":967,"direction":25},"While the full extent of the recent damage to the chapel's panels remains unclear, it is evident that the climate crisis is putting artworks at risk. According to  Ithaka S+R’s 2022 Art Museum Director Survey Report, which included about 180 U.S. participants, thirty-five percent said their museums had suffered damage due to climate change, while only half had taken steps to prepare for such risks.  ",[968],{"start":969,"end":970,"type":171,"data":971},164,215,{"link_type":173,"url":972,"target":622},"https:\u002F\u002Farchive.is\u002Fo\u002FyKci6\u002Fhttps:\u002Fsr.ithaka.org\u002Fpublications\u002Fhow-have-art-museums-been-impacted-by-climate-change\u002F","text$49ad930f-dc02-4270-9675-88e0e88fd5c7",{"variation":337,"version":52,"items":975,"primary":983,"id":988,"slice_type":353,"slice_label":7},[976],{"image":977,"title":982,"subtitle":7},{"dimensions":978,"alt":7,"copyright":7,"url":979,"id":980,"edit":981},{"width":876,"height":884},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002FZurUo7VsGrYSvi0K_Visuals_Landscape_3.2_Rothko_2.jpg?auto=format,compress","ZurUo7VsGrYSvi0K",{"x":36,"y":36,"zoom":37,"background":38},"Rothko Room at Japan’s Kawamura Memorial DIC Museum of Art © Sophie Whaley",{"image1":984,"label":982,"copyright":987},{"dimensions":985,"alt":7,"copyright":7,"url":979,"id":980,"edit":986},{"width":876,"height":884},{"x":36,"y":36,"zoom":37,"background":38},[],"image$d5d726cd-5921-47cd-8463-a1796e7e5de2",{"variation":51,"version":52,"items":990,"primary":991,"id":1006,"slice_type":177,"slice_label":7},[],{"title":992,"content":996},[993],{"type":570,"text":994,"spans":995,"direction":25},"Uncertain fate for Japan's Rothko Room",[],[997],{"type":22,"text":998,"spans":999,"direction":25},"Only five public spaces in the world permanently house groups of Rothko paintings conceived as sets—and now, yet another of these spaces faces an uncertain future. Japan’s Kawamura Memorial DIC Museum of Art, home to part of Rothko’s Seagram Murals, recently announced it will temporarily close in January 2025. Its owner, DIC Global, is considering downsizing the collection or shuttering the museum altogether. Either scenario could result in the liquidation of assets, potentially jeopardising the paintings’ integrity as a group. The Seagram Murals, originally commissioned for the Four Seasons restaurant in New York’s Seagram Building, were once part of an even larger ensemble. Beyond the DIC Museum, they are now divided among the Tate, Washington’s National Gallery of Art, and Rothko’s heirs. Of these, only the Tate offers a permanent display, though it too faced significant challenges. ",[1000,1003],{"start":1001,"end":1002,"type":158},234,248,{"start":1004,"end":1005,"type":158},538,553,"text$24c83861-a478-4a64-bf16-d97804570695",{"variation":51,"version":52,"items":1008,"primary":1009,"id":1029,"slice_type":177,"slice_label":7},[],{"title":1010,"content":1014},[1011],{"type":570,"text":1012,"spans":1013,"direction":25},"From vandalism to digital revival: efforts in the UK and the US ",[],[1015,1018,1026],{"type":22,"text":1016,"spans":1017,"direction":25},"Over a decade ago, the British institution endured a severe act of vandalism when a painting was tagged with ink in its bottom right-hand corner, the ink seeping through to the canvas. It took nearly twenty months to “eradicate all visible evidence of the ink under normal gallery conditions.”  ",[],{"type":22,"text":1019,"spans":1020,"direction":25},"But more unconventional techniques were employed in an effort to restore—at least to some degree—the lost vibrancy of Rothko’s compromised paintings. The Harvard Murals, one of three ensembles commissioned to Rothko alongside the chapel and the Seagram Murals, had mysteriously shifted from red to blue. Hidden away in storage for nearly thirty years, the five panels were reintroduced to the public with a novel approach: projecting coloured light onto them. This digital reconstruction, painstakingly assembled pixel by pixel, aimed to create the illusion of the original. One might question how this differs from immersive art experiences that project paintings onto walls. Yet, it involves far more: it meticulously considers factors such as reflectance, ambient light blending with the projector’s beam, and various other variables. Meanwhile, the materiality of the paint persists, creating a compelling interplay between the physical and the digital.  ",[1021,1023],{"start":422,"end":1022,"type":158},168,{"start":1024,"end":1025,"type":158},245,261,{"type":22,"text":1027,"spans":1028,"direction":25},"Regardless of the nature of the damage, Rothko rooms are particularly vulnerable. Designed as cohesive units, these ensembles are compromised the moment even a single canvas is affected. Conservators have gone to extraordinary lengths, sometimes employing groundbreaking techniques, to preserve these invaluable works and ensure the artist’s vision remains intact for the public. ",[],"text$6e69228b-5ffe-4a5e-8224-71cd3e92f45c","Are Rothko Rooms Facing Extinction?","Mark Rothko, one of the most influential painters of the post-war era, is celebrated globally, with his artworks held in major museums. Yet, there are only five Rothko rooms in public institutions worldwide—spaces that permanently display groups of his paintings conceived as cohesive sets. These ensembles, however, have been particularly vulnerable to damage over time. Conservators have spared no efforts, often employing innovative techniques, to preserve Rothko’s invaluable artworks and maintain the integrity of these iconic collections.",{"dimensions":1033,"alt":7,"copyright":7,"url":1034,"id":1035,"edit":1036},{"width":107,"height":108},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002FZurUBLVsGrYSvix-_ImageOpengraph-1-.jpg?auto=format,compress","ZurUBLVsGrYSvix-",{"x":36,"y":36,"zoom":37,"background":38},[1038],{"variation":51,"version":52,"items":1039,"primary":1080,"id":1082,"slice_type":103,"slice_label":7},[1040,1050,1059,1070],{"post":1041},{"id":1042,"type":57,"tags":1043,"lang":17,"slug":1045,"first_publication_date":1046,"last_publication_date":1047,"uid":1048,"link_type":66,"key":1049,"isBroken":28},"ZqOmgxAAACEAyGP7",[1044],"Gustav Klimt","a-mysterious-portrait","2024-07-26T13:48:30+0000","2024-07-31T15:55:16+0000","hidden-gem-at-the-nationalmusee-um-feschmaart","771ec383-211d-4671-8543-61269e15ad0d",{"post":1051},{"id":1052,"type":57,"tags":1053,"lang":17,"slug":1055,"first_publication_date":1056,"last_publication_date":1057,"uid":1055,"link_type":66,"key":1058,"isBroken":28},"ZoZklBMAACIAPKk1",[1054],"Francis Bacon","a-new-face-at-luxembourgs-nationalmusee-um-feschmaart","2024-07-04T17:25:15+0000","2024-07-24T15:42:33+0000","4dbf6942-0aed-446f-831a-e69de7573036",{"post":1060},{"id":1061,"type":57,"tags":1062,"lang":17,"slug":1065,"first_publication_date":1066,"last_publication_date":1067,"uid":1068,"link_type":66,"key":1069,"isBroken":28},"ZRwVthAAACgAzNbe",[1063,1064],"Caravaggio ","Baroque","1.-excessive-realism","2023-10-04T15:22:54+0000","2024-07-08T10:37:58+0000","how-caravaggio-shocked-the-art-world","3853908e-53a7-46ff-b76d-8c9941f44428",{"post":1071},{"id":1072,"type":57,"tags":1073,"lang":17,"slug":1075,"first_publication_date":1076,"last_publication_date":1077,"uid":1078,"link_type":66,"key":1079,"isBroken":28},"ZoUo6RMAACAAOs_e",[60,1074],"Claude Monet ","monets-iconic-series-from-haystacks-to-water-lilies","2024-07-04T13:38:46+0000","2024-07-05T08:39:57+0000","monets-iconic-series","37967d98-f5ab-4b62-a358-778b4a69bbb6",{"slides_per_view":7,"max_slides_count":7,"tag":1081,"type":57,"title":7,"paralax":28},{"link_type":66},"carousel$313e3ddb-40c3-4c7f-8a0c-5dd8b3ae85a9"]