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",[],{"link_type":44},{"link_type":201,"key":628,"url":629},"cc55f854-7080-4b8b-b586-54596460217b","https:\u002F\u002Fvimeo.com\u002F807589927",{"link_type":205},{"link_type":205},{"link_type":205},137,{"dimensions":635,"alt":636,"copyright":7,"url":637,"id":638,"edit":639},{"width":30,"height":31},"Leonardo Da Vinci - The Madonna Of The Carnation Video","https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002Fd06c2a0d-bddc-4de9-86a7-3ce47e545338_Slide+16_9+-+20.jpg?auto=compress,format","ZK_N7BIAACAAaWsO",{"x":35,"y":35,"zoom":36,"background":37},{"dimensions":641,"alt":636,"copyright":7,"url":642,"id":643,"edit":644},{"width":31,"height":30},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002Fb434e75d-60c5-425b-a96d-1452d94f0b43_9_16-5.jpg?auto=compress,format","ZK_N7BIAACIAaWsP",{"x":35,"y":35,"zoom":36,"background":37},{"dimensions":646,"alt":636,"copyright":7,"url":637,"id":638,"edit":647},{"width":30,"height":31},{"x":35,"y":35,"zoom":36,"background":37},[649],{"variation":47,"version":48,"items":650,"primary":652,"id":663,"slice_type":238,"slice_label":7},[651],{},{"title":653,"content":656},[654],{"type":230,"text":231,"spans":655},[],[657],{"type":196,"text":658,"spans":659},"Leonardo da Vinci’s The Madonna of the Carnation  captures a tender moment between mother and child (the baby Jesus) but look a little closer and you will see a forewarning – the crimson carnation in Madonna’s hands symbolises the blood that Christ would later spill on the cross. 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Their faces are frozen in disbelief, anger, and astonishment, while Jesus remains a picture of calm in the centre of the pyramidal composition that Leonardo da Vinci used to create a sense of balance. In The Last Supper (1495-1498), the artist’s mastery of perspective is clear; powerful geometric lines give the scene structure and react with the mural’s setting, the Convent of Santa Maria delle Grazie in Milan. ",[932],{"start":933,"end":934,"type":462},327,339,"text$ac0e94f0-83b9-428b-a18b-fc295e7e924d","The Last Supper","Jesus has just told his apostles that one of them will betray him – as a result, the painting is charged with emotion. Their faces are frozen in disbelief, anger, and astonishment, while Jesus remains a picture of calm in the centre of the pyramidal composition that Leonardo da Vinci used to create a sense of balance. 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",[],{"link_type":44},{"link_type":201,"key":1039,"url":1040},"6104e38b-d660-468f-a193-da8e81185e6d","https:\u002F\u002Fvimeo.com\u002F808259481",{"link_type":205},{"link_type":205},{"link_type":205},130,{"dimensions":1046,"alt":1047,"copyright":7,"url":1048,"id":1049,"edit":1050},{"width":30,"height":31},"Leonardo Da Vinci - The Virgin And The Child Saint Anne Video","https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002F655afdf3-2d09-429d-8d4a-2eaa012f3d0c_Slide+16_9+-+17.jpg?auto=compress,format","ZK_QChIAACEAaXJO",{"x":35,"y":35,"zoom":36,"background":37},{"dimensions":1052,"alt":1047,"copyright":7,"url":1053,"id":1054,"edit":1055},{"width":31,"height":30},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002Fbbc8b394-5d0f-4b8c-97dc-4dd2eb4af452_9_16-2.jpg?auto=compress,format","ZK_QChIAACIAaXJP",{"x":35,"y":35,"zoom":36,"background":37},"Leonardo Da Vinci - The Virgin And The Child Saint Anne",{"dimensions":1058,"alt":1047,"copyright":7,"url":1048,"id":1049,"edit":1059},{"width":30,"height":31},{"x":35,"y":35,"zoom":36,"background":37},[1061],{"variation":47,"version":48,"items":1062,"primary":1064,"id":1072,"slice_type":238,"slice_label":7},[1063],{},{"title":1065,"content":1068},[1066],{"type":230,"text":231,"spans":1067},[],[1069],{"type":196,"text":1070,"spans":1071},"The three generations of the Holy Family are portrayed in the painting – St. Anne is holding her daughter Mary on her lap, who is reaching down to the baby Jesus while they look tenderly into each other’s eyes. 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