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",[1000,1003],{"start":51,"end":1001,"type":1002},157,"strong",{"start":309,"end":569,"type":80},{"type":29,"text":1005,"spans":1006},"",[],{"type":1008,"text":1009,"spans":1010},"list-item","This painting should be compared to the self-portrait he made in Saint Rémy and intended for his mother. The painting with the bandaged ear shows a wounded man in a cold place, with a powerful color effect: a stark contrast of green and red. In his painting ‘The night café’, Van Gogh used the same opposition and described it as a violent contrast that conveyed the passions that could drive a man to madness. The Saint Rémy beardless self-portrait, contrarily, is painted with of mostly bleu-green and naturalistic flesh tones. Van Gogh used that specific contrast to illustrate rest and calmness.",[],{"type":29,"text":1005,"spans":1012},[],{"type":1008,"text":1014,"spans":1015}," The Japanese engraving in the background shown young ladies and cranes. In French, the French word for crane is grue, which also means prostitute.",[],{"type":29,"text":1005,"spans":1017},[],{"type":1008,"text":1019,"spans":1020},"The painting is a spectacular document, maybe more than a brilliant work of art. With this portrait, we can see that Van Gogh’s art and life are always intimately connected: Van Gogh tells the viewer that he went too far, that he put himself in danger and almost lost the battle. But here he is, wounded but alive, and… painting.",[],{"type":29,"text":1005,"spans":1022},[],{"type":1008,"text":1024,"spans":1025},"The fur cap he is wearing did not go unnoticed by his contemporaries. It is typical for Van Gogh to wear what he thought was practical. 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The composition, which comprises simple furniture and a sharply receding perspective, was painted after the Dutch artist was rooted to his bed for almost three days following an episode of exhaustion brought on by enthusiastically decorating his rented “yellow house,” including painting a series of canvases to hang on the walls. 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",[1165,1167],{"start":51,"end":1166,"type":1002},150,{"start":309,"end":1168,"type":80},149,{"type":29,"text":1005,"spans":1170},[],{"type":1008,"text":1172,"spans":1173},"Japanese art was originally promoted by modern literature in the 1860’s. It proved groundbreaking for the development of realism in pictorial art, which wasn’t undisputed and was considered by conservative critics as absolute filth.\n\n",[],{"type":1008,"text":1175,"spans":1176},"During the first spring Van Gogh spent in the South of France, in 1888, Van Gogh declared he “saw Japan everywhere”. The outlines, the simplified colors, the peaceful compositions depicting daily life that characterize Japanese engravings of the ukiyo-e movement deeply informed his eye.\n\n",[],{"type":1008,"text":1178,"spans":1179},"Van Gogh was an enthusiast collector of Japanese engravings. He bought hundreds of them and decorated his studio with the ones he preferred.\n\n",[],{"type":1008,"text":1181,"spans":1182},"Although he loved the subject, blossoming trees will appear only scarcely in his paintings of 1889 in Saint-Rémy de Provence. One spectacular exception is “Blossoming almond branches”, a masterpiece he created for his newborn nephew, Vincent Willem Van Gogh. 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",[],{"link_type":33},{"link_type":35,"key":1217,"url":1218},"d82deb5d-f1b1-4c28-a892-c2bd6394e757","https:\u002F\u002Fvimeo.com\u002F807577003",{"link_type":39},{"link_type":39},{"link_type":39},133,{"dimensions":1224,"alt":1225,"copyright":10,"url":1226,"id":1227,"edit":1228},{"width":45,"height":46},"Vincent van Gogh - Sunflowers video","https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002Fcd2ec627-e13b-477d-880a-62512e64b1cb_Slide+16_9+-+14.jpg?auto=compress,format","ZK0ZcBEAACMAdhmT",{"x":51,"y":51,"zoom":5,"background":52},{"dimensions":1230,"alt":1225,"copyright":10,"url":1231,"id":1232,"edit":1233},{"width":897,"height":896},"https:\u002F\u002Fimages.prismic.io\u002Fartexplorer-prod\u002Ffa239ab3-1127-4351-9040-e8c66b805cb7_9_16+%283%29.jpg?auto=compress,format","ZK0ZmREAACEAdhpY",{"x":51,"y":51,"zoom":5,"background":52},{"dimensions":1235,"alt":1225,"copyright":10,"url":1226,"id":1227,"edit":1236},{"width":45,"height":46},{"x":51,"y":51,"zoom":5,"background":52},[1238],{"variation":63,"version":64,"items":1239,"primary":1241,"id":1252,"slice_type":82,"slice_label":10},[1240],{},{"title":1242,"content":1246},[1243],{"type":70,"text":1244,"spans":1245},"About the Painting",[],[1247,1250],{"type":29,"text":1248,"spans":1249},"Van Gogh’s series of sunflower paintings are arguably his most famous. He painted them while he was in Arles in the south of France in 1888 and 1889. In total, he made five large canvases of sunflowers in a vase. He wrote that these paintings represented “gratitude” and held special significance for him. Paul Gaugin, Van Gogh’s good friend, described the canvases as “totally Vincent.” ",[],{"type":29,"text":1027,"spans":1251},[],"text$2a65930d-059e-49e6-ace8-dd76b6011e6f","Sunflowers","Wouter van der Veen, renowned Van Gogh specialist, art historian and author, highlights four things that you must know about the Sunflowers.",{"dimensions":1256,"alt":1101,"copyright":10,"url":1102,"id":1103,"edit":1257},{"width":88,"height":749},{"x":51,"y":51,"zoom":5,"background":52},[1259],{"variation":63,"version":64,"items":1260,"primary":1263,"id":1268,"slice_type":110,"slice_label":10},[1261],{"post":1262},{"link_type":33},{"slides_per_view":98,"max_slides_count":10,"tag":1264,"type":15,"title":1267,"paralax":10},{"id":761,"type":101,"tags":1265,"lang":23,"slug":763,"first_publication_date":764,"last_publication_date":765,"uid":766,"link_type":33,"key":1266,"isBroken":107},[720],"15f1ad01-5782-40a0-a298-e1c1e7af07bf","More videos","carousel$2f9d73f2-c90a-4ca0-a983-d40926db76ea","5621b3e","All Rights Reserved"]